MARA: DEADLINE HARBOR
Der Film
Storyboard
Szene 1
1 Einstellung · 5sEinstellung 1 · Einführung · 5s
A vast stormy Hong Kong industrial harbor emerges through torrential rain as a distant warehouse burns and lightning reveals the scale of the night.
Szene 2
1 Einstellung · 5sEinstellung 2 · Totale · 5s
Mara sprints across a narrow crane catwalk high above the harbor while three armed mercenaries close in behind her.
Szene 3
1 Einstellung · 6sEinstellung 3 · Totale · 6s
Mara lands on a suspended shipping container, its cable snaps, and she leaps clear just before the container plunges into the black water.
Szene 4
1 Einstellung · 5sEinstellung 4 · side-tracking · 5s
Mara rolls across the roof of a speeding cargo truck and drops flat as gunfire shatters the windshield behind her.
Szene 5
1 Einstellung · 7sEinstellung 5 · Großaufnahme · 7s
Mara launches from the end of the dock toward Voss's speedboat as a warehouse explodes behind the stormy harbor, then lands with a smirk reflected in the firelight.
Die Geschichte
Ursprünglicher Text – zum Aufklappen klicken
“Create a photorealistic Hollywood action short film titled MARA: DEADLINE HARBOR, set in a stormy Hong Kong industrial harbor at night. Use five connected cinematic scenes, approximately 38–45 seconds total, widescreen 16:9, with dramatic blue-and-orange lighting, realistic rain, practical-looking stunts, anamorphic lens flares, and subtle 35mm film grain. MARA: A woman in her mid-30s with dark hair tied back, a distinctive scar through her left eyebrow, a soaked black leather jacket, and a heavy steel briefcase cuffed to her right wrist. Maintain the same face, hairstyle, clothing, scar, and briefcase in every scene. SCENE 1 — THE HARBOR: A slow aerial push-in reveals a vast Hong Kong harbor under torrential rain. Stacked shipping containers glow beneath orange industrial lights. A warehouse burns in the distance as blue lightning illuminates the horizon. SCENE 2 — THE CRANE RUN: Mara sprints across a narrow steel crane catwalk high above the harbor while three armed mercenaries chase her. Use a fast handheld tracking shot, metal footsteps, heavy breathing, rain, and dramatic lens flares. SCENE 3 — THE CONTAINER DROP: Mara jumps onto a suspended shipping container. Its cable snaps, and the container plunges toward the black water. She leaps clear at the last second. Use a low-angle slow-motion shot, realistic gravity, metallic sounds, and a dramatic water impact. SCENE 4 — THE TRUCK SLIDE: Mara rolls across the roof of a speeding cargo truck, then drops flat as gunfire shatters the windshield behind her. Use a side-tracking shot, brief slow motion, flying safety glass, roaring engine, and wet-road reflections. SCENE 5 — THE FINALE: Mara launches from the end of a dock toward a speedboat where Voss, a tall man in a long dark coat, is waiting. A massive warehouse explosion illuminates the stormy harbor. End with a close-up of Mara smirking, the fire reflected in her eyes, then cut to black. SOUND: Continuous rain and harbor ambience, escalating cinematic orchestral music, metal impacts, thunder, engine roar, gunshot, glass shattering, explosion, and a final bass hit. Keep the action coherent and the character recognizable. No subtitles, logos, watermarks, cartoon effects, distorted faces, or changing costumes. The result should feel like a polished live-action Hollywood action-film trailer.”
Mach so einen Film
Schreib ein paar Sätze – TaleScene macht daraus einen vertonten Film im Stil Cinematic (Live Action), mit denselben Gesichtern in jeder Einstellung.
